Lyrics of bitcraft4/30/2023 ![]() ![]() Thus an analysis of physical imagery offers us valuable insight into the poetry's role, and what defines it as a genre.īacchylides’ persona is rarely visible within his poetry, and it is unsurprising that this seeming absence has been seen as a deficiency. I will argue that the emphasis on the bodies of the young female singers is not simply a decorative feature, but rather one intimately connected with the social function of partheneia, and with Greek attitudes to maidenhood more generally. ![]() The chapter goes on to compare this with the forms of deixis and self-referentiality found in choral lyric performed by male singers. 94b S-M) and by examining embedded descriptions of parthenaic choral dance in other genres (in particular other types of lyric, and drama). It demonstrates this both through an analysis of surviving partheneia (Alcman frr. The chapter argues that parthenaic song pays particular attention to the appearance and physical actions of the chorus members. This chapter seeks to reach a better understanding of what is distinctive about Greek partheneia as a genre, by investigating the poetry's focus on the body of the performers, and on visual display. A selective survey of the image of “plaiting a choral dance” is offered, with a focus on the geranos as a particular instance of a dance whose orchestic features may have been interacting with actual textiles: reviving a hypothesis grounded on ethnographic comparison, a possible performance context for the geranos is tentatively proposed. Close reading of the relevant passages shows that πλέκειν (including a number of compounds, both verbs and adjectives, from the themes πλεκ-/πλοκ-) is the most conspicuous textile craft term applied by literary sources to song-making and, in particular, to the performance of a dancing chorus, epinician being the song-type that most consistently appropriates the metapoetics of weaving (for matters of generic continuity with PIE imagery and for elements of performance pragmatics, in addition to its status as the most largely attested sub-type of choral lyric). The distinctive interplay of aesthetic pleasure, orderly variegation, and harmonious arrangement of parts that choreia displays in literary sources (and that is conveyed in archaic Greek poetry by the notion of ποικιλία) also informs the technology and logic of ancient weaving, a τέχνη largely associated in poetic imagery with both ποικιλία and chorality. This world is procedurally generated, and is not divided into servers - everyone exists in the same land, and each player's actions affect everyone else.The article explores areas of interaction between weaving (and the related technique of plaiting) and chorality in archaic and classical choral lyric poetry by considering aspects of the craft and technology of weaving as mapped onto the imagery of a performing chorus. The player has complete freedom of choice and can play Bitcraft as he wants, whether as a settler in a growing village or an explorer traveling the world. Although the game has a combat system, it focuses on farming, building cities, trading, exploration and hunting. Mechanicsīitcraft is a third-person MMORPG focused on freedom and interaction with other players. By exploring and talking to travelers, we will discover the history of the world and the ancient civilizations that once lived here. Starting with nothing, our task is to survive, cooperate with other players and together build a prosperous society. We play as a mystical being that awakens in this world. The action of Bitcraft takes place in a wild, untamed land. It is an MMORPG that puts players in a huge, procedurally generated world, where they can farm, explore, trade or build their own civilization. Bitcraft is the debut of Californian studio Clockwork Labs. ![]()
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